<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>6 Hole Ocarina Tabs</title><link>https://6holeocarina.com/</link><description>Recent content on 6 Hole Ocarina Tabs</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>© 2026 6 Hole Ocarina Tabs</copyright><lastBuildDate>Tue, 14 Jul 2026 11:45:57 -0500</lastBuildDate><atom:link href="https://6holeocarina.com/index.xml" rel="self" type="application/rss+xml"/><item><title>About</title><link>https://6holeocarina.com/about/</link><pubDate>Tue, 14 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/about/</guid><description>&lt;p&gt;6 Hole Ocarina Tabs is a free library of ocarina tablature for the 6-hole (pendant)
ocarina. Every song is a plain HTML table you can read with or without JavaScript; turn
sound on to hear each note as you hover. There are no accounts, no ads (currently), and no tracking,
just tabs. We do track aggregate statics, dns queries, scans, and various anonymous usage and speed metrics.&lt;/p&gt;</description></item><item><title>How to Read 6-Hole Ocarina Tabs</title><link>https://6holeocarina.com/how-to-read-ocarina-tabs/</link><pubDate>Sat, 11 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/how-to-read-ocarina-tabs/</guid><description>&lt;p&gt;Every song on this site is written as ocarina tablature, not as engraved sheet
music. This page explains what that means, how to read our tabs, and where they
part ways with formal music notation, so you know exactly what you are looking at.&lt;/p&gt;</description></item><item><title>Ocarina Tablature Editor</title><link>https://6holeocarina.com/ocarina-tablature-editor/</link><pubDate>Sat, 11 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-tablature-editor/</guid><description>&lt;p&gt;Build 6-hole ocarina tablature right in your browser. Click a note on the staff
to add it, use the sharp and flat toggle for accidentals, and hear each note as
you place it. Add rests and line breaks, type a syllable of lyrics under any
note, then preview the finished tab exactly as it appears on a song page. The
editor never uploads anything: the whole piece lives in your browser and in the
share link you choose to copy.&lt;/p&gt;</description></item><item><title>3 Blind Mice</title><link>https://6holeocarina.com/kid-songs/3-blind-mice/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/3-blind-mice/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About 3 Blind Mice
 &lt;div id="about-3-blind-mice" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-3-blind-mice" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Three Blind Mice is one of the oldest printed rounds in the English language. A version appears in Thomas Ravenscroft&amp;rsquo;s collection Deuteromelia, published in London in 1609, meaning people have been singing it for more than four hundred years. Like other rounds it is built for overlapping voices, and its lyrics are famously grim for a children&amp;rsquo;s song, with the farmer&amp;rsquo;s wife and her carving knife.&lt;/p&gt;</description></item><item><title>6 Hole Ocarina Lessons - Lesson 1 (C,D)</title><link>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-1/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-1/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;

&lt;h2 class="relative group"&gt;How to play 6 Hole Ocarina Lessons - Lesson 1 (C,D) on the ocarina
 &lt;div id="how-to-play-6-hole-ocarina-lessons---lesson-1-cd-on-the-ocarina" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#how-to-play-6-hole-ocarina-lessons---lesson-1-cd-on-the-ocarina" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The first note to learn is C. We’ll combine C and D and keep building from there in each future ocarina lesson.&lt;/p&gt;</description></item><item><title>6 Hole Ocarina Lessons - Lesson 2 (C,D,E)</title><link>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-2/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-2/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;

&lt;h2 class="relative group"&gt;How to play 6 Hole Ocarina Lessons - Lesson 2 (C,D,E) on the ocarina
 &lt;div id="how-to-play-6-hole-ocarina-lessons---lesson-2-cde-on-the-ocarina" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#how-to-play-6-hole-ocarina-lessons---lesson-2-cde-on-the-ocarina" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This ocarina lesson reviews C, but also shows D and E. You can play a few basic songs now! Try Mary Had a Little Lamb&lt;/p&gt;</description></item><item><title>6 Hole Ocarina Lessons - Lesson 3 (D,E,F)</title><link>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-3/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-3/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;

&lt;h2 class="relative group"&gt;How to play 6 Hole Ocarina Lessons - Lesson 3 (D,E,F) on the ocarina
 &lt;div id="how-to-play-6-hole-ocarina-lessons---lesson-3-def-on-the-ocarina" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#how-to-play-6-hole-ocarina-lessons---lesson-3-def-on-the-ocarina" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This ocarina lesson reviews D, but also teaches you how to play E and F on a 6 Hole Ocarina.&lt;/p&gt;</description></item><item><title>6 Hole Ocarina Lessons - Lesson 4 (C,D,E,F,G)</title><link>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-4/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-4/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;

&lt;h2 class="relative group"&gt;How to play 6 Hole Ocarina Lessons - Lesson 4 (C,D,E,F,G) on the ocarina
 &lt;div id="how-to-play-6-hole-ocarina-lessons---lesson-4-cdefg-on-the-ocarina" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#how-to-play-6-hole-ocarina-lessons---lesson-4-cdefg-on-the-ocarina" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;With the addition of F and G to the notes you already learned in the previous lessons, you can play quite a few songs now.&lt;/p&gt;</description></item><item><title>6 Hole Ocarina Lessons - Lesson 5 (A,C,D,E,F,G)</title><link>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-5/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-lessons/6-hole-ocarina-lessons-lesson-5/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;

&lt;h2 class="relative group"&gt;How to play 6 Hole Ocarina Lessons - Lesson 5 (A,C,D,E,F,G) on the ocarina
 &lt;div id="how-to-play-6-hole-ocarina-lessons---lesson-5-acdefg-on-the-ocarina" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#how-to-play-6-hole-ocarina-lessons---lesson-5-acdefg-on-the-ocarina" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Today you will learn the A and G notes. If you’ve been following along, you should know 6 notes when you are done with this lesson.
In case you want to print this ocarina lesson out, or see it without distractions, I’ve made the Sheet Music available for you.&lt;/p&gt;</description></item><item><title>99 Bottles of Beer</title><link>https://6holeocarina.com/scout-songs/99-bottles-of-beer/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scout-songs/99-bottles-of-beer/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About 99 Bottles of Beer
 &lt;div id="about-99-bottles-of-beer" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-99-bottles-of-beer" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is a traditional American counting song, anonymous like most road-trip and camp songs and passed along by ear rather than printed. The whole appeal is the countdown: each verse drops the number by one, so a full run from ninety-nine takes ages, which is exactly why bored kids on buses and around the fire keep it going. There is no single origin. It just grew out of the long-drive habit of singing to pass time.&lt;/p&gt;</description></item><item><title>A Dream is a Wish Your Heart Makes</title><link>https://6holeocarina.com/disney-songs/a-dream-is-a-wish-your-heart-makes-cinderella/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/disney-songs/a-dream-is-a-wish-your-heart-makes-cinderella/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About A Dream is a Wish Your Heart Makes
 &lt;div id="about-a-dream-is-a-wish-your-heart-makes" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-a-dream-is-a-wish-your-heart-makes" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;A Dream Is a Wish Your Heart Makes comes from Walt Disney&amp;rsquo;s Cinderella, released in 1950, where the title character sings it at her window as the morning begins. Mack David, Al Hoffman, and Jerry Livingston wrote the words and music, the same team behind the film&amp;rsquo;s other songs. It has stayed one of the most recognized Disney ballads, covered many times by singers well outside the world of animation.&lt;/p&gt;</description></item><item><title>A Mighty Fortress is Our God</title><link>https://6holeocarina.com/christian-songs/a-mighty-fortress-is-our-god/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/a-mighty-fortress-is-our-god/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About A Mighty Fortress is Our God
 &lt;div id="about-a-mighty-fortress-is-our-god" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-a-mighty-fortress-is-our-god" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Martin Luther wrote this hymn around 1529, drawing on Psalm 46, and it became the anthem of the Protestant Reformation. The German original, &amp;ldquo;Ein feste Burg ist unser Gott,&amp;rdquo; has been carried into English by several translators, so the wording in one hymnal may differ a little from another.&lt;/p&gt;</description></item><item><title>A Miner's Lullaby</title><link>https://6holeocarina.com/scottish-songs/a-miners-lullaby/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scottish-songs/a-miners-lullaby/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About A Miner&amp;rsquo;s Lullaby
 &lt;div id="about-a-miners-lullaby" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-a-miners-lullaby" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;A Miner&amp;rsquo;s Lullaby, better known as Coorie Doon, is a Scottish song written by the Glasgow folk singer Matt McGinn, who died in 1977. The words are broad Scots: a mining family settling a child to sleep while the father works a three-foot coal seam far below ground. Coorie doon means to snuggle down, and a wean is a small child, dialect that roots the song in the pit villages of central Scotland rather than any older tradition.&lt;/p&gt;</description></item><item><title>A Spoonful of Sugar</title><link>https://6holeocarina.com/contemporary/a-spoonful-of-sugar/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/contemporary/a-spoonful-of-sugar/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About A Spoonful of Sugar
 &lt;div id="about-a-spoonful-of-sugar" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-a-spoonful-of-sugar" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Sherman Brothers, Richard and Robert, wrote this for Walt Disney&amp;rsquo;s 1964 film Mary Poppins, where Julie Andrews sings it while tidying a nursery with a snap of her fingers. Richard Sherman said the title came from his young son, who had mentioned getting the polio vaccine on a sugar cube. The tune has stayed a nursery and singalong favorite ever since.&lt;/p&gt;</description></item><item><title>A Tisket a Tasket</title><link>https://6holeocarina.com/kid-songs/a-tisket-a-tasket/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/a-tisket-a-tasket/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About A Tisket a Tasket
 &lt;div id="about-a-tisket-a-tasket" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-a-tisket-a-tasket" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;A Tisket a Tasket started life as an American playground singing game. Children sat in a circle while one walked around the outside and secretly dropped a handkerchief behind someone, who then had to jump up and give chase. The nonsense opening line is just a chant to keep the game turning. Most people know it now from Ella Fitzgerald, who spun it into a swing hit in 1938 with the Chick Webb band and had a hand in writing that version; the underlying rhyme is older and anonymous.&lt;/p&gt;</description></item><item><title>Abide with Me; 'Tis Eventide</title><link>https://6holeocarina.com/christmas/abide-with-me-tis-eventide/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/abide-with-me-tis-eventide/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Abide with Me; &amp;lsquo;Tis Eventide
 &lt;div id="about-abide-with-me-tis-eventide" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-abide-with-me-tis-eventide" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is a 19th-century evening hymn, sung widely in Latter-day Saint congregations. The words are usually credited to M. Lowrie Hofford and the tune to Harrison Millard. Its scene is the road to Emmaus in Luke&amp;rsquo;s gospel, where two travelers ask a stranger to stay with them as night falls, so the &amp;ldquo;eventide&amp;rdquo; of the title is both the close of day and a quiet plea for company.&lt;/p&gt;</description></item><item><title>Abraham's Daughter (Hunger Games)</title><link>https://6holeocarina.com/movies/abrahams-daughter-hunger-games/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/abrahams-daughter-hunger-games/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Abraham&amp;rsquo;s Daughter
 &lt;div id="about-abrahams-daughter" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-abrahams-daughter" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Arcade Fire wrote and recorded Abraham&amp;rsquo;s Daughter for the closing credits of the first Hunger Games film in 2012. The lyric reworks the old story of Abraham and Isaac, but hands the daughter a voice she never had in the source: she raises her bow before the knife can fall. That framing tied the song to Katniss, the film&amp;rsquo;s own reluctant archer.&lt;/p&gt;</description></item><item><title>Accessibility</title><link>https://6holeocarina.com/accessibility/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/accessibility/</guid><description>&lt;p&gt;We want the tabs usable by everyone.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Every song tab is real HTML that renders and reads &lt;strong&gt;without JavaScript&lt;/strong&gt;; sound and
hover highlighting are optional enhancements.&lt;/li&gt;
&lt;li&gt;We aim for good color contrast and keyboard-navigable pages, and we support your
browser&amp;rsquo;s light and dark modes.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Found a barrier? &lt;a href="https://6holeocarina.com/contact/" &gt;Get in touch&lt;/a&gt; and we&amp;rsquo;ll fix it.&lt;/p&gt;</description></item><item><title>Am Pentatonic Scale</title><link>https://6holeocarina.com/scales/am-pentatonic-scale/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/am-pentatonic-scale/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Am Pentatonic Scale
 &lt;div id="about-the-am-pentatonic-scale" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-am-pentatonic-scale" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The A minor pentatonic is five notes drawn from the natural minor: A, C, D, E and G, with A as the tonic. Because it skips the two semitone steps of a full scale, nothing in it clashes, which is why pentatonics are the safe sandbox for improvising. This version runs up two octaves from a low C and back down, so it doubles as a range check: you cross from the ocarina&amp;rsquo;s lower notes into the high ones and have to keep the tone even through the jump. A solid pattern for building finger memory and warming up the ear.&lt;/p&gt;</description></item><item><title>Amazing Grace</title><link>https://6holeocarina.com/christian-songs/amazing-grace/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/amazing-grace/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Amazing Grace
 &lt;div id="about-amazing-grace" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-amazing-grace" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The words are John Newton&amp;rsquo;s, written for a New Year service in 1773 and first printed in 1779. Newton had captained slave ships before a change of conscience led him into the ministry, and the hymn reads as his own testimony. The familiar tune, usually called New Britain, is an American folk melody paired with the text decades later.&lt;/p&gt;</description></item><item><title>Angels We Have Heard on High</title><link>https://6holeocarina.com/christian-songs/angels-we-have-heard-on-high/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/angels-we-have-heard-on-high/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Angels We Have Heard on High
 &lt;div id="about-angels-we-have-heard-on-high" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-angels-we-have-heard-on-high" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This Christmas carol comes from France, where it was known as &amp;ldquo;Les Anges dans nos campagnes.&amp;rdquo; The Latin refrain, &amp;ldquo;Gloria in excelsis Deo,&amp;rdquo; is sung the same in almost every language, and the English verses most people know were shaped by James Chadwick in 1862.&lt;/p&gt;</description></item><item><title>Are You Sleeping Brother John</title><link>https://6holeocarina.com/kid-songs/are-you-sleeping-brother-john/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/are-you-sleeping-brother-john/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Are You Sleeping Brother John
 &lt;div id="about-are-you-sleeping-brother-john" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-are-you-sleeping-brother-john" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is the English singing of Frere Jacques, a French round that has passed through schoolrooms for centuries. The words nudge a sleepyhead named John to wake up, because the morning bells are ringing and he is missing them; in the French original those are the matins bells that call a friar to early prayer. Like all good rounds, it is meant to be sung in overlapping parts, one voice trailing a phrase behind the next.&lt;/p&gt;</description></item><item><title>As the Deer</title><link>https://6holeocarina.com/christian-songs/as-the-deer/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/as-the-deer/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About As the Deer
 &lt;div id="about-as-the-deer" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-as-the-deer" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Martin Nystrom wrote this worship chorus in 1984, setting words drawn from the opening of Psalm 42, where the psalmist compares his longing for God to a deer thirsting for water. It spread quickly through churches in the 1980s and 1990s and is now a standard in many congregations.&lt;/p&gt;</description></item><item><title>At the Cross</title><link>https://6holeocarina.com/christian-songs/at-the-cross/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/at-the-cross/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About At the Cross
 &lt;div id="about-at-the-cross" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-at-the-cross" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The verses began as Isaac Watts&amp;rsquo;s hymn &amp;ldquo;Alas! and Did My Savior Bleed,&amp;rdquo; published in 1707. The refrain most people picture, &amp;ldquo;At the cross, at the cross where I first saw the light,&amp;rdquo; was added later in the nineteenth century along with the tune now attached to it, which is why older hymnals sometimes print the words without it.&lt;/p&gt;</description></item><item><title>Auld Lang Syne</title><link>https://6holeocarina.com/christmas/auld-lang-syne/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/auld-lang-syne/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Auld Lang Syne
 &lt;div id="about-auld-lang-syne" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-auld-lang-syne" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Most people meet this song once a year, at the stroke of midnight on New Year&amp;rsquo;s Eve, often unsure what the Scots title means. It runs close to &amp;ldquo;old long since,&amp;rdquo; or the days gone by. Robert Burns set the words down in 1788 and said he took them from an old man&amp;rsquo;s singing, so the piece sits somewhere between a folk survival and Burns&amp;rsquo;s own hand. The melody is an old Scottish air.&lt;/p&gt;</description></item><item><title>Away in a Manger</title><link>https://6holeocarina.com/christmas/away-in-a-manger/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/away-in-a-manger/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Away in a Manger
 &lt;div id="about-away-in-a-manger" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-away-in-a-manger" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;For years this carol was printed as &amp;ldquo;Luther&amp;rsquo;s Cradle Hymn,&amp;rdquo; on the belief that Martin Luther wrote it for his children. That story does not hold up. The text is American and first appeared in print in the late 1880s, its author unknown. Two tunes still compete for it, one by James Murray and a smoother one by William Kirkpatrick, and you will hear both in churches today.&lt;/p&gt;</description></item><item><title>Baa Baa Black Sheep</title><link>https://6holeocarina.com/kid-songs/baa-baa-black-sheep/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/baa-baa-black-sheep/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Baa Baa Black Sheep
 &lt;div id="about-baa-baa-black-sheep" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-baa-baa-black-sheep" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Baa Baa Black Sheep is one of the oldest nursery rhymes still in everyday use. A version appears in Tommy Thumb&amp;rsquo;s Pretty Song Book, printed in London around 1744, and the little exchange between the questioner and the sheep has stayed almost unchanged since. The tune sounds familiar for a reason: it shares its melody with Twinkle Twinkle Little Star and the alphabet song, all borrowed from an old French air.&lt;/p&gt;</description></item><item><title>Ballad of the Wind Fish Legend of Zelda Link's Awakening</title><link>https://6holeocarina.com/zelda-sheet-music/ballad-of-the-wind-fish-legend-of-zelda-links-awakening/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/ballad-of-the-wind-fish-legend-of-zelda-links-awakening/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;The story behind the Ballad of the Wind Fish
 &lt;div id="the-story-behind-the-ballad-of-the-wind-fish" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#the-story-behind-the-ballad-of-the-wind-fish" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Ballad of the Wind Fish sits at the heart of The Legend of Zelda: Link&amp;rsquo;s Awakening, the 1993 Game Boy chapter of the series. Within the story it is the song that wakes the Wind Fish and, with that, brings the dream island of Koholint to its end. Link learns and plays it on an ocarina, which makes it a fitting piece to carry back to the real instrument.&lt;/p&gt;</description></item><item><title>Bibbidi Bobbidi Boo</title><link>https://6holeocarina.com/disney-songs/bibbidi-bobbidi-boo/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/disney-songs/bibbidi-bobbidi-boo/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Bibbidi Bobbidi Boo
 &lt;div id="about-bibbidi-bobbidi-boo" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-bibbidi-bobbidi-boo" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Bibbidi-Bobbidi-Boo, sometimes listed as The Magic Song, is the Fairy Godmother&amp;rsquo;s number in Disney&amp;rsquo;s Cinderella from 1950. Mack David, Al Hoffman, and Jerry Livingston wrote it, and it earned an Academy Award nomination for Best Original Song. The nonsense refrain was built to sound like a spell being cast, which is most of its charm.&lt;/p&gt;</description></item><item><title>Bingo</title><link>https://6holeocarina.com/kid-songs/bingo-6-hole-ocarina/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/bingo-6-hole-ocarina/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Bingo
 &lt;div id="about-bingo" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-bingo" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Bingo is a spelling game as much as a song. Each time through, one more letter of the dog&amp;rsquo;s name is dropped and replaced with a clap, until the whole word is clapped rather than sung, which is exactly the memory-and-timing challenge that has kept teachers using it. The song is traditional and has been in circulation for well over two hundred years, with no single author to credit.&lt;/p&gt;</description></item><item><title>Blues Scales</title><link>https://6holeocarina.com/scales/6-hole-ocarina-blues-scales/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/6-hole-ocarina-blues-scales/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Blues Scales
 &lt;div id="about-the-blues-scales" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-blues-scales" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;These two patterns, one built on D and one on G, are blues scales: a minor pentatonic with an added flattened fifth, the flat note that gives blues its bent, worried sound. Running them up and down teaches your fingers to find that blue note cleanly, since it lands on a sharp that is easy to fumble. The D pattern climbs from low D to the D an octave above and back; the G pattern is shorter. Both sit in the middle of the 6-hole ocarina&amp;rsquo;s range, which makes them a good warm-up before you tackle an actual blues tune.&lt;/p&gt;</description></item><item><title>Breathe (Michael W. Smith)</title><link>https://6holeocarina.com/christian-songs/breathe-michael-w-smith/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/breathe-michael-w-smith/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Breathe
 &lt;div id="about-breathe" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-breathe" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This quiet worship song was written by Marie Barnett and became widely known when Michael W. Smith recorded it on his 2001 album &amp;ldquo;Worship.&amp;rdquo; It is a modern praise chorus rather than a traditional hymn, built on a short, repeating line meant to be sung softly.&lt;/p&gt;</description></item><item><title>Bremen's March Legend of Zelda Majora's Mask</title><link>https://6holeocarina.com/zelda-sheet-music/bremens-march-legend-of-zelda-majora-s-mask/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/bremens-march-legend-of-zelda-majora-s-mask/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Bremen&amp;rsquo;s March
 &lt;div id="about-bremens-march" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-bremens-march" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Bremen&amp;rsquo;s March comes from The Legend of Zelda: Majora&amp;rsquo;s Mask, released in 2000. It is tied to the Bremen Mask, which lets Link fall into a strut that gathers stray animals into a line behind him, a nod to the old Town Musicians of Bremen folktale. Koji Kondo and Toru Minegishi wrote the game&amp;rsquo;s score.&lt;/p&gt;</description></item><item><title>C Major Scale</title><link>https://6holeocarina.com/scales/c-major-scale/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/c-major-scale/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the C Major Scale
 &lt;div id="about-the-c-major-scale" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-c-major-scale" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The C major scale is the plainest scale in Western music: seven notes, no sharps and no flats, just the white keys from C up to B. That simplicity is exactly why it is the usual starting point. With nothing to trip over, you can concentrate on even breath and clean fingering while your ear learns the bright, settled sound a major scale makes. On the 6-hole ocarina it runs across the lower half of the range, an easy first climb before you reach for the higher notes. Learn it well and every other key becomes easier to read.&lt;/p&gt;</description></item><item><title>Can't Help Falling in Love</title><link>https://6holeocarina.com/contemporary/cant-help-falling-in-love/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/contemporary/cant-help-falling-in-love/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Can&amp;rsquo;t Help Falling in Love
 &lt;div id="about-cant-help-falling-in-love" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-cant-help-falling-in-love" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Elvis Presley recorded this ballad for his 1961 film Blue Hawaii, and it became one of his signature numbers, often the song he used to close a concert. The melody is borrowed from &amp;ldquo;Plaisir d&amp;rsquo;amour,&amp;rdquo; a French love song written by Jean-Paul-Egide Martini in the 1780s, given new English words by Hugo Peretti, Luigi Creatore, and George David Weiss.&lt;/p&gt;</description></item><item><title>Come Come Ye Saints</title><link>https://6holeocarina.com/christian-songs/come-come-ye-saints/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/come-come-ye-saints/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Come Come Ye Saints
 &lt;div id="about-come-come-ye-saints" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-come-come-ye-saints" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;William Clayton wrote these words in 1846 while traveling west with the Latter-day Saint pioneers, and the hymn is still tied to that pioneer trek. The tune is an older English folk melody called &amp;ldquo;All Is Well,&amp;rdquo; which the text was fitted to.&lt;/p&gt;</description></item><item><title>Comin' Thro' the Rye</title><link>https://6holeocarina.com/folk-songs/comin-thro-the-rye/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/comin-thro-the-rye/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Comin&amp;rsquo; Thro&amp;rsquo; the Rye
 &lt;div id="about-comin-thro-the-rye" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-comin-thro-the-rye" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The words most people know were shaped by Robert Burns, who in 1782 reworked an older Scottish country song for a collection of traditional airs. That was his habit: he gathered rough folk fragments and polished them into singable verse. The tune itself is older and anonymous, a lowland air that had been passed around long before Burns set his lines to it.&lt;/p&gt;</description></item><item><title>Contact</title><link>https://6holeocarina.com/contact/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/contact/</guid><description>&lt;p&gt;Have a question or a song request? Send it below and I will reply when I can. Requests
can take a while, so please do not be offended if I am slow; I answer when time allows.&lt;/p&gt;</description></item><item><title>Cookie Policy</title><link>https://6holeocarina.com/cookie-policy/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/cookie-policy/</guid><description>&lt;p&gt;6 Hole Ocarina Tabs does not use tracking or advertising cookies.&lt;/p&gt;
&lt;p&gt;The only thing stored on your device is an optional light/dark appearance preference, kept
in your browser&amp;rsquo;s local storage so the site remembers your choice. It contains no personal
information and is never sent to a server. Clearing your browser storage removes it.&lt;/p&gt;</description></item><item><title>D Major Scale</title><link>https://6holeocarina.com/scales/d-major-scale/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/d-major-scale/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the D Major Scale
 &lt;div id="about-the-d-major-scale" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-d-major-scale" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;D major is a major scale with two sharps, F sharp and C sharp, built on the tonic D. It shares the bright, resolved character of any major scale but sits a step higher than C, which puts a full octave from low D to high D within reach on the 6-hole ocarina. The two sharps are the thing to watch: F sharp early in the climb and C sharp just before the top, both easy to miss if your fingers default to the natural notes. Practising it slowly fixes those positions in memory and stretches you comfortably across the instrument&amp;rsquo;s range.&lt;/p&gt;</description></item><item><title>Deck the Halls</title><link>https://6holeocarina.com/christmas/deck-the-halls/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/deck-the-halls/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Deck the Halls
 &lt;div id="about-deck-the-halls" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-deck-the-halls" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The tune is Welsh and older than the words we sing over it. It comes from &amp;ldquo;Nos Galan,&amp;rdquo; a New Year&amp;rsquo;s Eve melody, and the looping &amp;ldquo;fa la la&amp;rdquo; lines are thought to stand in for a harp that once answered each sung phrase. The cheerful English lyrics are much later, added in the 19th century.&lt;/p&gt;</description></item><item><title>Do As I'm Doing</title><link>https://6holeocarina.com/folk-songs/do-as-im-doing/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/do-as-im-doing/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Do As I&amp;rsquo;m Doing
 &lt;div id="about-do-as-im-doing" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-do-as-im-doing" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is an imitation game more than a concert piece. One person sings and acts out a motion, everyone copies, and the &amp;ldquo;fast or slow, high or low&amp;rdquo; verse invites the leader to change it up. Songs like this pass hand to hand among children and teachers, so no single author or date can be pinned to it honestly.&lt;/p&gt;</description></item><item><title>Edelweiss</title><link>https://6holeocarina.com/folk-songs/edelweiss/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/edelweiss/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Edelweiss
 &lt;div id="about-edelweiss" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-edelweiss" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Despite how traditional it sounds, this is not an Austrian folk song. Richard Rodgers wrote the music and Oscar Hammerstein II the words for the 1959 musical The Sound of Music, and it was the last lyric Hammerstein finished before his death. In the show a character sings it as a quiet farewell to his homeland, which is why it carries the flavor of an old alpine air.&lt;/p&gt;</description></item><item><title>Feliz Navidad</title><link>https://6holeocarina.com/christmas/feliz-navidad/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/feliz-navidad/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Feliz Navidad
 &lt;div id="about-feliz-navidad" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-feliz-navidad" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Jose Feliciano wrote this in 1970, and it has been on the radio every December since. The Puerto Rican singer built it from a handful of words in Spanish and one plain wish in English, wanting a Christmas song that both sides of his audience could sing together. There is not much more to the lyric, which is part of why it sticks.&lt;/p&gt;</description></item><item><title>For All We Know (Carpenters)</title><link>https://6holeocarina.com/contemporary/for-all-we-know-carpenters/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/contemporary/for-all-we-know-carpenters/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About For All We Know
 &lt;div id="about-for-all-we-know" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-for-all-we-know" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Not to be confused with the 1934 pop standard of the same title, this &amp;ldquo;For All We Know&amp;rdquo; was written for the 1970 film Lovers and Other Strangers and won the Academy Award for Best Original Song. Fred Karlin composed the music. The Carpenters released their version in 1971, and Karen Carpenter&amp;rsquo;s warm, unhurried lead turned it into one of their best-loved recordings.&lt;/p&gt;</description></item><item><title>For He is a Jolly Good Fellow</title><link>https://6holeocarina.com/folk-songs/for-he-is-a-jolly-good-fellow/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/for-he-is-a-jolly-good-fellow/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About For He is a Jolly Good Fellow
 &lt;div id="about-for-he-is-a-jolly-good-fellow" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-for-he-is-a-jolly-good-fellow" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The tune is not English by birth. It comes from the French air &amp;ldquo;Malbrouck s&amp;rsquo;en va-t-en guerre,&amp;rdquo; a mock lament about the Duke of Marlborough that circulated in the 1700s and spread across Europe. English speakers kept the melody, dropped the story, and turned it into the song you sing when someone has done something worth toasting.&lt;/p&gt;</description></item><item><title>For thy Bounteous Blessings</title><link>https://6holeocarina.com/christian-songs/for-thy-bounteous-blessings/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/for-thy-bounteous-blessings/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About For thy Bounteous Blessings
 &lt;div id="about-for-thy-bounteous-blessings" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-for-thy-bounteous-blessings" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This short piece is a table grace, a few lines of thanks meant to be sung before a meal. It is often performed as a round, with singers starting a few beats apart so the simple melody overlaps with itself. Its exact origin is not well documented, so it is best treated as a traditional grace rather than credited to one author.&lt;/p&gt;</description></item><item><title>Frosty the Snowman</title><link>https://6holeocarina.com/christmas/frosty-the-snowman/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/frosty-the-snowman/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Frosty the Snowman
 &lt;div id="about-frosty-the-snowman" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-frosty-the-snowman" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This one is not a carol at all but a novelty pop song, written in 1950 by Walter Rollins and Steve Nelson and first recorded by Gene Autry, who was fresh off his hit with &amp;ldquo;Rudolph.&amp;rdquo; The writers wanted to catch the same lightning twice, and a snowman who comes to life for a day did the trick.&lt;/p&gt;</description></item><item><title>Fur Elise</title><link>https://6holeocarina.com/classical-music/fur-elise/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/classical-music/fur-elise/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Fur Elise
 &lt;div id="about-fur-elise" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-fur-elise" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Beethoven, whose music bridges the Classical and Romantic eras, wrote this short piano bagatelle in A minor around 1810. Nobody published it in his lifetime. The manuscript surfaced only in 1867, decades after his death, when the scholar Ludwig Nohl printed it. Who &amp;ldquo;Elise&amp;rdquo; was has never been settled, and one common theory reads the dedication as a misspelling of Therese, a woman Beethoven knew.&lt;/p&gt;</description></item><item><title>G Major Scale</title><link>https://6holeocarina.com/scales/g-major-scale/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/g-major-scale/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the G Major Scale
 &lt;div id="about-the-g-major-scale" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-g-major-scale" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;G major carries a single sharp, F sharp, and is one of the most common keys in Western music, partly because it falls easily under the hand on guitar and piano. On the ocarina it has the same bright, open major sound, and this pattern runs from F sharp up through a high E. The note to mind is that opening F sharp, a half step that is simple to overshoot when you are still warming up. It is a short, friendly scale to drill, good for settling your breath and fixing the sharp before you move on to a tune in the same key.&lt;/p&gt;</description></item><item><title>Game of Thrones Theme</title><link>https://6holeocarina.com/tv-theme-songs/game-of-thrones-theme/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/tv-theme-songs/game-of-thrones-theme/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Game of Thrones Theme
 &lt;div id="about-the-game-of-thrones-theme" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-game-of-thrones-theme" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Ramin Djawadi composed this theme for the opening titles of HBO&amp;rsquo;s Game of Thrones, which began in 2011. It is television rather than a film score, though it has traveled far past the show. The main idea is a driving, minor-key phrase first carried by a cello, built to march along under the spinning clockwork map of the title sequence.&lt;/p&gt;</description></item><item><title>Game Over Legend of Zelda</title><link>https://6holeocarina.com/zelda-sheet-music/game-over-legend-of-zelda/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/game-over-legend-of-zelda/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Legend of Zelda game over theme
 &lt;div id="about-the-legend-of-zelda-game-over-theme" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-legend-of-zelda-game-over-theme" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This short cue is the game-over sting from the very first Legend of Zelda, the 1986 NES title that started the whole series. Koji Kondo wrote its music, and this little descending phrase is what greeted players each time Link ran out of hearts.&lt;/p&gt;</description></item><item><title>Great Fairy Fountain</title><link>https://6holeocarina.com/zelda-sheet-music/great-fairy-fountain/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/great-fairy-fountain/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Great Fairy Fountain theme
 &lt;div id="about-the-great-fairy-fountain-theme" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-great-fairy-fountain-theme" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Great Fairy&amp;rsquo;s Fountain theme first appeared in A Link to the Past in 1991 and has drifted through nearly every Zelda game since, playing whenever Link steps into one of the hidden fairy springs. Koji Kondo built it as a calm, harp-like figure, a moment of rest between the fighting.&lt;/p&gt;</description></item><item><title>Halls of the Mountain King</title><link>https://6holeocarina.com/classical-music/halls-of-the-mountain-king/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/classical-music/halls-of-the-mountain-king/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Halls of the Mountain King
 &lt;div id="about-halls-of-the-mountain-king" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-halls-of-the-mountain-king" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Edvard Grieg composed this piece in 1875 as part of the incidental music for Henrik Ibsen&amp;rsquo;s play Peer Gynt. In the scene it accompanies, Peer wanders into the throne room of a troll king, and the music tracks his mounting dread. It begins slow and hushed, then speeds up and grows louder until it nearly runs away with itself. Grieg later placed it in his first Peer Gynt orchestral suite, which is where most listeners meet it now.&lt;/p&gt;</description></item><item><title>Hanging Tree</title><link>https://6holeocarina.com/movies/hanging-tree/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/hanging-tree/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Hanging Tree
 &lt;div id="about-the-hanging-tree" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-hanging-tree" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The words to The Hanging Tree come straight from Suzanne Collins&amp;rsquo;s novel Mockingjay, where Katniss remembers her father singing them. For the 2014 film the verse was set to a spare, folk-like melody by members of The Lumineers working with composer James Newton Howard, and Jennifer Lawrence sang it on screen. What starts as one voice grows into a crowd, which is the whole point of the scene.&lt;/p&gt;</description></item><item><title>Happy Birthday to You (C)</title><link>https://6holeocarina.com/traditional/happy-birthday-to-you-c/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/traditional/happy-birthday-to-you-c/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;Playing Happy Birthday in C
 &lt;div id="playing-happy-birthday-in-c" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#playing-happy-birthday-in-c" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;There is a good chance this is the first song a person ever performs in public, usually badly and with feeling. The melody came from &amp;ldquo;Good Morning to All,&amp;rdquo; a greeting written in 1893 by two sisters, Patty and Mildred Hill, who taught young children. The birthday verse latched on afterward and traveled the world without asking permission. A long-running copyright claim over the words was finally struck down by a US court in 2016.&lt;/p&gt;</description></item><item><title>Happy Birthday To You (D)</title><link>https://6holeocarina.com/traditional/happy-birthday-to-you/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/traditional/happy-birthday-to-you/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Happy Birthday to You
 &lt;div id="about-happy-birthday-to-you" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-happy-birthday-to-you" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The tune everyone sings over a cake started as a classroom greeting. Two Kentucky sisters, Patty and Mildred Hill, wrote the melody as &amp;ldquo;Good Morning to All&amp;rdquo; in 1893 for the children they taught. The birthday words attached themselves later, and no one is quite sure who first paired them. For most of the twentieth century a publisher claimed the copyright and collected fees, until a US court ruled in 2016 that the familiar lyrics belong to everyone.&lt;/p&gt;</description></item><item><title>Hark the Herald Angels Sing</title><link>https://6holeocarina.com/christmas/hark-the-herald-angels-sing/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/hark-the-herald-angels-sing/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Hark the Herald Angels Sing
 &lt;div id="about-hark-the-herald-angels-sing" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hark-the-herald-angels-sing" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Charles Wesley wrote these words in 1739, and they were slower and more solemn than the carol we know. The bright tune came a century later, lifted from a Mendelssohn cantata written to honor the printing press, and fitted to Wesley&amp;rsquo;s text by William Cummings in 1855. The two halves have traveled together ever since, a match Wesley himself might not have approved.&lt;/p&gt;</description></item><item><title>He's Got the Whole World</title><link>https://6holeocarina.com/kid-songs/hes-got-the-whole-world/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/hes-got-the-whole-world/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About He&amp;rsquo;s Got the Whole World
 &lt;div id="about-hes-got-the-whole-world" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hes-got-the-whole-world" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;He&amp;rsquo;s Got the Whole World in His Hands is an African American spiritual that first appeared in print in the 1920s and has been a fixture of gospel singing and Sunday schools ever since. Its strength is repetition: the same short phrase returns with only its ending swapped, which is why young children pick it up so fast, and singers have long added their own verses naming whoever they want held safe.&lt;/p&gt;</description></item><item><title>Hedwig's Theme</title><link>https://6holeocarina.com/movies/hedwigs-theme/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/hedwigs-theme/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Hedwig&amp;rsquo;s Theme
 &lt;div id="about-hedwigs-theme" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hedwigs-theme" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;John Williams wrote Hedwig&amp;rsquo;s Theme for the first Harry Potter film in 2001, and it became the musical signature for the whole series. In the original it is played on the celesta, a small keyboard with a bell-like chime, which gives the melody its cold, glittering, slightly uneasy quality. The name comes from Harry&amp;rsquo;s snowy owl, though the tune really stands in for the wider world of the story.&lt;/p&gt;</description></item><item><title>Hey Jude</title><link>https://6holeocarina.com/contemporary/hey-jude/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/contemporary/hey-jude/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Hey Jude
 &lt;div id="about-hey-jude" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hey-jude" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Paul McCartney wrote &amp;ldquo;Hey Jude&amp;rdquo; in 1968, and the Beatles put it out that summer as a single. He has said it started as &amp;ldquo;Hey Jules,&amp;rdquo; a song of comfort for John Lennon&amp;rsquo;s young son Julian during his parents&amp;rsquo; divorce, before he softened the name to sing better. At over seven minutes, with its long singalong fade-out, it was strikingly long for a hit of its day.&lt;/p&gt;</description></item><item><title>High on the Mountain Top</title><link>https://6holeocarina.com/christian-songs/high-on-the-mountain-top/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/high-on-the-mountain-top/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About High on the Mountain Top
 &lt;div id="about-high-on-the-mountain-top" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-high-on-the-mountain-top" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is a Latter-day Saint hymn from the 1850s, written for a young settlement in the American West and looking toward a temple on a hill. Its words are usually credited to Joel Hills Johnson, with the tune added by an early church musician.&lt;/p&gt;</description></item><item><title>Hoist the Colors Pirates of the Caribbean</title><link>https://6holeocarina.com/movies/hoist-the-colors-pirates-of-the-carribean/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/hoist-the-colors-pirates-of-the-carribean/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Hoist the Colours
 &lt;div id="about-hoist-the-colours" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hoist-the-colours" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Hoist the Colours opens Pirates of the Caribbean: At World&amp;rsquo;s End from 2007, sung first by a lone boy on the gallows and then taken up as a pirates&amp;rsquo; anthem. Hans Zimmer&amp;rsquo;s score carries it in the film. The lyric is a call for the scattered pirate lords to gather, and its slightly menacing, sea-shanty swing does a lot of the movie&amp;rsquo;s setup in one short song.&lt;/p&gt;</description></item><item><title>Home on the Range</title><link>https://6holeocarina.com/traditional/home-on-the-range/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/traditional/home-on-the-range/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Home on the Range
 &lt;div id="about-home-on-the-range" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-home-on-the-range" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is about as close to an official American cowboy song as the plains produced. The words began as a poem, &amp;ldquo;My Western Home,&amp;rdquo; written around 1872 by Brewster Higley, a settler and doctor living in Smith County, Kansas. A neighbor, Daniel Kelley, set it to music, and cowhands carried the tune across the West by ear, changing a line here and there the way songs do when they pass around campfires. Kansas made it the state song in 1947.&lt;/p&gt;</description></item><item><title>Hot Cross Buns</title><link>https://6holeocarina.com/kid-songs/hot-cross-buns/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/hot-cross-buns/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Hot Cross Buns
 &lt;div id="about-hot-cross-buns" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hot-cross-buns" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Hot Cross Buns began as a street seller&amp;rsquo;s cry rather than a nursery song. The spiced buns marked with a cross were sold around Lent and Good Friday, and the rhyme echoes a vendor calling the price, one a penny, two a penny. Printed versions reach back to the 1700s, though it survives today mostly as a first teaching tune.&lt;/p&gt;</description></item><item><title>How Great Thou Art</title><link>https://6holeocarina.com/christian-songs/how-great-thou-art/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/how-great-thou-art/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;Where How Great Thou Art comes from
 &lt;div id="where-how-great-thou-art-comes-from" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#where-how-great-thou-art-comes-from" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This hymn traveled a long way before it reached English. It began as a Swedish poem, &amp;ldquo;O Store Gud,&amp;rdquo; written by Carl Boberg in 1885, and the English version most people sing was adapted by the missionary Stuart K. Hine in the mid-twentieth century. Hine&amp;rsquo;s translation is what carried it into churches across the English-speaking world.&lt;/p&gt;</description></item><item><title>How to Do Circular Breathing</title><link>https://6holeocarina.com/ocarina-techniques/circular-breathing/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-techniques/circular-breathing/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About this exercise
 &lt;div id="about-this-exercise" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-this-exercise" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Circular breathing lets you hold a note without pause by breathing in and out at the same time. Wind players borrow it from traditions like the didgeridoo, where a drone can run unbroken for minutes on end. The idea sounds impossible but rests on one trick: fill your cheeks with air, then squeeze that stored air into the ocarina with your cheek muscles while you snatch a quick breath in through the nose. Most songs never need it. Practise the handover away from the instrument first, blowing through a straw into a glass of water and trying to hold a steady stream of bubbles right through the switch.&lt;/p&gt;</description></item><item><title>How to Do Flutter Tonguing</title><link>https://6holeocarina.com/ocarina-techniques/flutter-tonguing/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-techniques/flutter-tonguing/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;p&gt;Flutter tonguing is simply rolling your tongue rapidly like with the Spanish R while blowing out.&lt;/p&gt;</description></item><item><title>How to do Vibrato</title><link>https://6holeocarina.com/ocarina-techniques/vibrato/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-techniques/vibrato/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;p&gt;Vibrato is the pitch and volume to make a quivering sound. I personally use my diaphragm muscles to pulse the air coming out of my lungs to achieve this effect.&lt;/p&gt;</description></item><item><title>How to Overblow an Ocarina</title><link>https://6holeocarina.com/ocarina-techniques/overblow/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-techniques/overblow/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About this exercise
 &lt;div id="about-this-exercise" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-this-exercise" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Overblowing means pushing extra air to nudge a note higher than its normal fingering gives. On many wind instruments this needs a special lip or embouchure change, but the ocarina keeps it blunt: blow harder and the pitch rises. That makes it handy for reaching a top note a fraction beyond the instrument&amp;rsquo;s comfortable range, as happens in tunes like Fur Elise. The catch is that harder air also makes the note louder and can sharpen it too far, so lean into the breath gradually and listen for the pitch you want rather than forcing it. A tuner or a reference note helps you learn how much push each jump needs.&lt;/p&gt;</description></item><item><title>How to Slap Tongue on an Ocarina</title><link>https://6holeocarina.com/ocarina-techniques/slap-tonguing/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-techniques/slap-tonguing/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About this exercise
 &lt;div id="about-this-exercise" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-this-exercise" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Slap tonguing is a percussive pop rather than a sung note. You seal the blow hole with the flat of your tongue, draw a small vacuum by sucking back, then release and drop your jaw so air rushes in with a sharp burst. The whole move happens in an instant, and the result is a dry, explosive click that punctuates a phrase. It takes a little experimenting to find how much suction gives a clean pop without a hiss. Try it on its own, away from any tune, until the burst is loud and consistent, then drop single slaps between notes for rhythm.&lt;/p&gt;</description></item><item><title>How to Slide on the Ocarina</title><link>https://6holeocarina.com/ocarina-techniques/ocarina-slide/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-techniques/ocarina-slide/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;p&gt;A slide whistle has a changing pitch because the air cavity changes smoothly.&lt;/p&gt;
&lt;p&gt;For the ocarina, you can do this effect by sliding your finger slowly off one of the holes.&lt;/p&gt;</description></item><item><title>Hungarian Gypsy Scale (A)</title><link>https://6holeocarina.com/scales/hungarian-scale-a/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/hungarian-scale-a/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Hungarian Gypsy Scale (A)
 &lt;div id="about-the-hungarian-gypsy-scale-a" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-hungarian-gypsy-scale-a" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Built on A, this Hungarian gypsy pattern uses the scale&amp;rsquo;s signature move: the augmented second between C and D sharp, a step and a half that gives the line its brooding, Eastern color. It is a short run, up from A to a high E and back, so it is a quick way to get that unusual interval into your fingers without a long climb. The reach to D sharp is the part to practise, since it sits a hole or two away from its neighbours. Take it slowly and let your ear settle on the gap; it sounds strange next to a plain minor scale, and that is the point.&lt;/p&gt;</description></item><item><title>Hungarian Gypsy Scale (E)</title><link>https://6holeocarina.com/scales/hungarian-gypsy-scale-c/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/hungarian-gypsy-scale-c/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Hungarian Gypsy Scale (E)
 &lt;div id="about-the-hungarian-gypsy-scale-e" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-hungarian-gypsy-scale-e" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is a Hungarian gypsy scale, also called the Hungarian minor. What sets it apart are two wide steps, augmented seconds, that jump a step and a half where an ordinary scale would take a half or a whole step. Those gaps give it the dark, exotic pull people recognize from Eastern European folk music. On the ocarina the leaps are the challenge: your fingers travel across several holes at once and still have to land in tune. Run it slowly at first. It stretches your reach and trains your ear to hear those unusual intervals rather than the familiar major and minor ones.&lt;/p&gt;</description></item><item><title>Hush Little Baby Mockingbird</title><link>https://6holeocarina.com/kid-songs/hush-little-baby-mockingbird/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/hush-little-baby-mockingbird/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Hush Little Baby Mockingbird
 &lt;div id="about-hush-little-baby-mockingbird" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hush-little-baby-mockingbird" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Hush Little Baby is a traditional lullaby from the American South, handed down by singing rather than by any printed book, so its author is unknown. The verses work like a chain, where each promised gift that fails becomes the reason for the next, and a parent can keep inventing lines for as long as it takes a child to drift off. Because it was never fixed on paper, no two families sing quite the same words.&lt;/p&gt;</description></item><item><title>Hymn of the Fayth Final Fantasy X</title><link>https://6holeocarina.com/video-game-songs/hymn-of-the-fayth-final-fantasy-x/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/video-game-songs/hymn-of-the-fayth-final-fantasy-x/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Hymn of the Fayth Final Fantasy X
 &lt;div id="about-hymn-of-the-fayth-final-fantasy-x" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-hymn-of-the-fayth-final-fantasy-x" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Hymn of the Fayth runs like a thread through Final Fantasy X, the 2001 PlayStation 2 game scored by Nobuo Uematsu, Masashi Hamauzu, and Junya Nakano. In the story it is a prayer, chanted by the people of Spira and by the fayth themselves, and it returns in different guises as the journey goes on. The melody was built to be sung by many voices, so its shape stays simple and repeats readily.&lt;/p&gt;</description></item><item><title>I am a Child of God</title><link>https://6holeocarina.com/christian-songs/i-am-a-child-of-god/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/i-am-a-child-of-god/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About I am a Child of God
 &lt;div id="about-i-am-a-child-of-god" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-i-am-a-child-of-god" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is a Latter-day Saint children&amp;rsquo;s hymn from 1957, written by Naomi Randall with music by Mildred Pettit. It was created for Primary, the church&amp;rsquo;s program for children, and remains one of the best known songs in that tradition.&lt;/p&gt;</description></item><item><title>I Heard the Bells on Christmas Day</title><link>https://6holeocarina.com/christmas/i-heard-the-bells-on-christmas-day/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/i-heard-the-bells-on-christmas-day/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About I Heard the Bells on Christmas Day
 &lt;div id="about-i-heard-the-bells-on-christmas-day" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-i-heard-the-bells-on-christmas-day" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The words began as a poem, &amp;ldquo;Christmas Bells,&amp;rdquo; written by Henry Wadsworth Longfellow in 1863. He wrote in a dark year, with the country at war and his own family struck by grief, and the lines move from despair to the sound of Christmas bells insisting that peace is not dead. The tune most singers use was added later by John Baptiste Calkin.&lt;/p&gt;</description></item><item><title>I Stand All Amazed</title><link>https://6holeocarina.com/christian-songs/i-stand-all-amazed/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/i-stand-all-amazed/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About I Stand All Amazed
 &lt;div id="about-i-stand-all-amazed" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-i-stand-all-amazed" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Charles H. Gabriel, a prolific American gospel songwriter, wrote both the words and music of this hymn, first published in 1898. It reflects on the crucifixion with a tone of quiet wonder, and it is sung widely in Latter-day Saint services as well as other churches.&lt;/p&gt;</description></item><item><title>I'm a Little Teapot</title><link>https://6holeocarina.com/kid-songs/im-a-little-teapot/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/im-a-little-teapot/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About I&amp;rsquo;m a Little Teapot
 &lt;div id="about-im-a-little-teapot" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-im-a-little-teapot" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;I&amp;rsquo;m a Little Teapot is one of the few nursery standards with a firm birthdate. It was written in 1939 by George Harold Sanders and Clarence Kelley, an American songwriting pair who wanted a simple number children could act out, tipping to one side to pour like a spout. Unlike most rhymes here, it has a known author and a copyright history rather than a foggy folk past.&lt;/p&gt;</description></item><item><title>If You're Happy and You Know It</title><link>https://6holeocarina.com/kid-songs/if-youre-happy-and-you-know-it/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/if-youre-happy-and-you-know-it/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About If You&amp;rsquo;re Happy and You Know It
 &lt;div id="about-if-youre-happy-and-you-know-it" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-if-youre-happy-and-you-know-it" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;If You&amp;rsquo;re Happy and You Know It is an action song: it names a small motion and then leaves a gap for everyone to do it before the line finishes. Clapping and stomping in those gaps is what makes it such a reliable way to settle a restless group of children.&lt;/p&gt;</description></item><item><title>Imperial March (Star Wars)</title><link>https://6holeocarina.com/movies/imperial-march-star-wars/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/imperial-march-star-wars/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Imperial March
 &lt;div id="about-the-imperial-march" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-imperial-march" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;John Williams introduced the Imperial March in The Empire Strikes Back in 1980 as the theme for Darth Vader and the Galactic Empire. It replaced the looser villain music of the first film with something colder and more mechanical, a stiff march in a minor key that has since become shorthand for menace almost anywhere it plays.&lt;/p&gt;</description></item><item><title>Itsy Bitsy Spider</title><link>https://6holeocarina.com/kid-songs/itsy-bitsy-spider/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/itsy-bitsy-spider/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Itsy Bitsy Spider
 &lt;div id="about-itsy-bitsy-spider" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-itsy-bitsy-spider" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Itsy Bitsy Spider is really a fingerplay with a tune attached. The whole point is the hand motions, fingers climbing the waterspout and then the rain washing the spider back down. It is traditional, known in Britain as the Incy Wincy Spider, and the earliest printed versions turn up in the first years of the twentieth century. The little cycle of climbing, falling and trying again is a big part of why it lands so well with small children.&lt;/p&gt;</description></item><item><title>Jesus Loves Me!</title><link>https://6holeocarina.com/christian-songs/jesus-loves-me/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/jesus-loves-me/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Jesus Loves Me
 &lt;div id="about-jesus-loves-me" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-jesus-loves-me" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Anna Warner wrote these words in 1860, first as a poem inside a novel, where they were spoken as comfort to a dying child. William Bradbury set them to music soon after and added the familiar &amp;ldquo;Yes, Jesus loves me&amp;rdquo; refrain. It has been one of the most widely taught children&amp;rsquo;s hymns ever since.&lt;/p&gt;</description></item><item><title>Kumbayah</title><link>https://6holeocarina.com/folk-songs/kumbayah/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/kumbayah/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Kumbayah
 &lt;div id="about-kumbayah" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-kumbayah" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Kumbayah is an African American spiritual, most often traced to the Gullah communities of the South Carolina and Georgia coast in the early twentieth century. The title is thought to be a dialect rendering of &amp;ldquo;come by here,&amp;rdquo; a plea for help. It traveled north with song collectors and later became a campfire and civil-rights-era standard, which is how most people first meet it.&lt;/p&gt;</description></item><item><title>Legend of Zelda Battle Music Adventure of Link</title><link>https://6holeocarina.com/zelda-sheet-music/battle-music-adventure-of-link/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/battle-music-adventure-of-link/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Adventure of Link battle theme
 &lt;div id="about-the-adventure-of-link-battle-theme" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-adventure-of-link-battle-theme" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is the battle music from Zelda II: The Adventure of Link, the 1987 follow-up to the original NES game and the odd one out in the series for its side-scrolling combat. The cue kicks in when Link meets enemies on the overworld, a short burst of tension rather than a tune you hum.&lt;/p&gt;</description></item><item><title>Legend of Zelda Serenade of Water</title><link>https://6holeocarina.com/zelda-sheet-music/legend-of-zelda-serenade-of-water/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/legend-of-zelda-serenade-of-water/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Serenade of Water
 &lt;div id="about-the-serenade-of-water" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-serenade-of-water" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Serenade of Water is one of the ocarina melodies Link actually learns in Ocarina of Time, taught by Sheik at the edge of Lake Hylia in the 1998 game. Played back, it warps him to the water temple, so it is a working song rather than background music. Koji Kondo wrote it.&lt;/p&gt;</description></item><item><title>Links</title><link>https://6holeocarina.com/links/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/links/</guid><description>&lt;!-- Links restored by hand from the source page: the one-time prose import
 flattened the anchor list into text (losing the list and mangling the meta
 description). The content file is the source of truth (see CLAUDE.md). --&gt;
&lt;p&gt;I&amp;rsquo;ll comment on these when I get a chance, for now they are just links used for making ocarina songs.&lt;/p&gt;</description></item><item><title>Lullaby of Takeda</title><link>https://6holeocarina.com/folk-songs/lullaby-of-takeda/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/lullaby-of-takeda/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Lullaby of Takeda
 &lt;div id="about-lullaby-of-takeda" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-lullaby-of-takeda" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is a Japanese cradle song, &amp;ldquo;Takeda no Komoriuta,&amp;rdquo; from the Takeda district of Kyoto. It is sung in the voice of a young girl sent away to mind another family&amp;rsquo;s baby, and its sorrow is not decorative: the song is tied to the history of Japan&amp;rsquo;s burakumin outcast communities. That weight is why it sounds mournful even before you know the words.&lt;/p&gt;</description></item><item><title>Mary Had a Little Lamb (ABG)</title><link>https://6holeocarina.com/kid-songs/mary-had-a-little-lamb-abg/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/mary-had-a-little-lamb-abg/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Mary Had a Little Lamb (ABG)
 &lt;div id="about-mary-had-a-little-lamb-abg" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-mary-had-a-little-lamb-abg" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The words to Mary Had a Little Lamb were written by Sarah Josepha Hale and published in 1830 as a poem called Mary&amp;rsquo;s Lamb. Hale was an influential American editor, and this gentle story of a lamb trailing a girl to school may be her most quoted writing by far, even though few people know her name today.&lt;/p&gt;</description></item><item><title>Mary Had a Little Lamb (CDE)</title><link>https://6holeocarina.com/kid-songs/mary-had-a-little-lamb-cde/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/mary-had-a-little-lamb-cde/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Mary Had a Little Lamb (CDE)
 &lt;div id="about-mary-had-a-little-lamb-cde" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-mary-had-a-little-lamb-cde" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Mary Had a Little Lamb holds a small place in the history of recorded sound. When Thomas Edison tested his new phonograph in 1877, the lines he spoke into it were the opening of this very rhyme, which makes it one of the first things ever captured on a recording. The lyric itself comes from a poem written decades before that and has stayed a schoolroom fixture ever since.&lt;/p&gt;</description></item><item><title>Middle Eastern Scale</title><link>https://6holeocarina.com/scales/middle-eastern-scale/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/middle-eastern-scale/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Middle Eastern Scale
 &lt;div id="about-the-middle-eastern-scale" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-middle-eastern-scale" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The exotic sound of this scale comes from one wide step, the augmented second between F and G sharp, sitting near the bottom of the run. That leap conjures the snake-charmer, bazaar-at-dusk flavor the name promises. Starting on E, the pattern climbs to C and comes back down, staying in the middle of the 6-hole ocarina&amp;rsquo;s range. The stretch across that augmented second is the bit to drill, since neighbouring fingers have to jump a hole and still land in tune. It is a fun one to warm up with, and it trains your ear on an interval that Western major and minor scales never use.&lt;/p&gt;</description></item><item><title>Molly Malone</title><link>https://6holeocarina.com/irish-songs/molly-malone/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/irish-songs/molly-malone/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Molly Malone
 &lt;div id="about-molly-malone" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-molly-malone" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Molly Malone, also called Cockles and Mussels, is Dublin&amp;rsquo;s unofficial anthem, set in the old city where a young fishmonger hawks her wares before dying young. There is no record of a real Molly, and the ghost wheeling her barrow through the streets is folklore, not history. The earliest known printing dates to 1884 and is credited to the Scottish songwriter James Yorkston, though the tune is widely treated as traditional and its true beginnings stay unclear.&lt;/p&gt;</description></item><item><title>My Dreidel</title><link>https://6holeocarina.com/kid-songs/my-dreidel/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/my-dreidel/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About My Dreidel
 &lt;div id="about-my-dreidel" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-my-dreidel" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;My Dreidel, sometimes called I Have a Little Dreidel, is one of the best known Hanukkah songs sung in English. It has been part of American Hanukkah celebrations since the early twentieth century, and a Yiddish version of the same idea circulated alongside it. Its exact composer is not settled, so it tends to be treated simply as a traditional holiday tune.&lt;/p&gt;</description></item><item><title>Native American Scale</title><link>https://6holeocarina.com/scales/native-american-scale/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scales/native-american-scale/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Native American Scale
 &lt;div id="about-the-native-american-scale" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-native-american-scale" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Despite the name, this is a minor pentatonic scale built on D: five notes, D, F, G, A and C, with none of the semitone steps that make a full scale sound tense. That open, gap-toothed spacing is why it carries the calm, flute-like mood people associate with Native American melodies, and why almost anything you play on it sounds settled. It runs from low D up to a high C and back on the 6-hole ocarina, sitting nicely in the instrument&amp;rsquo;s range. Because nothing clashes, it is a forgiving place to work on tone and expression, adding trills or fading breath, rather than fighting to hit the right note.&lt;/p&gt;</description></item><item><title>Nobody Knows the Trouble I've Seen</title><link>https://6holeocarina.com/christian-songs/nobody-knows-the-trouble-ive-seen/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/nobody-knows-the-trouble-ive-seen/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;Where Nobody Knows the Trouble I&amp;rsquo;ve Seen comes from
 &lt;div id="where-nobody-knows-the-trouble-ive-seen-comes-from" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#where-nobody-knows-the-trouble-ive-seen-comes-from" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This is an African American spiritual, sung by enslaved people in the American South and carried into the wider world after the Civil War. It was among the songs printed in the 1867 collection Slave Songs of the United States. Like most spirituals, it has no single named author and exists in many slightly different versions.&lt;/p&gt;</description></item><item><title>Ode to Joy</title><link>https://6holeocarina.com/classical-music/ode-to-joy/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/classical-music/ode-to-joy/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Ode to Joy
 &lt;div id="about-ode-to-joy" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-ode-to-joy" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The tune comes from the choral finale of Beethoven&amp;rsquo;s Symphony No. 9, which he completed in 1824, late in his life and after he had lost most of his hearing. He set it to words from Friedrich Schiller&amp;rsquo;s poem &amp;ldquo;An die Freude,&amp;rdquo; a hymn to human brotherhood, and handed the theme first to the low strings before the chorus takes it up. Simple as the melody is, it carries the weight of the whole symphony.&lt;/p&gt;</description></item><item><title>Oh Christmas Tree</title><link>https://6holeocarina.com/christmas/oh-christmas-tree/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/oh-christmas-tree/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Oh Christmas Tree
 &lt;div id="about-oh-christmas-tree" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-oh-christmas-tree" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Behind the English title stands &amp;ldquo;O Tannenbaum,&amp;rdquo; a German song whose melody is an old folk tune. The best-known words were written by Ernst Anschutz in 1824, building on an earlier verse, and at first the song was not about Christmas at all but about the fir tree as a faithful, evergreen symbol. Only later did it settle into the holiday.&lt;/p&gt;</description></item><item><title>Oh My Darlin' Clementine</title><link>https://6holeocarina.com/scout-songs/oh-my-darlin-clementine/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/scout-songs/oh-my-darlin-clementine/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Oh My Darlin, Clementine!
 &lt;div id="about-oh-my-darlin-clementine" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-oh-my-darlin-clementine" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Clementine is an American western ballad from the 1880s, a mock-mournful tune about a miner&amp;rsquo;s daughter who drowns. It is usually credited to Percy Montrose around 1884, though earlier versions were already circulating and the real author is disputed, so it often gets filed as simply traditional. The gold-rush setting and its easy chorus made it a campfire and singalong standard, where the sad story is really half the joke.&lt;/p&gt;</description></item><item><title>On Top of Ol Smokey</title><link>https://6holeocarina.com/kid-songs/on-top-of-ol-smokey/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/on-top-of-ol-smokey/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About On Top of Ol Smokey
 &lt;div id="about-on-top-of-ol-smokey" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-on-top-of-ol-smokey" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;On Top of Old Smokey is an American folk ballad with roots in the southern Appalachian mountains. Beneath the familiar tune is a rueful little story about losing a sweetheart through hesitation, and the song has drifted through countless versions over the years, including a well-loved playground parody about a meatball. It reached a wide audience in 1951, when The Weavers recorded it and carried it onto the pop charts.&lt;/p&gt;</description></item><item><title>Owl Hoots on Ocarina</title><link>https://6holeocarina.com/ocarina-techniques/owl-hoots-on-ocarina/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/ocarina-techniques/owl-hoots-on-ocarina/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;p&gt;To make a sound like the hoot of an owl, you bring a finger completely off the hole and then put it back on.&lt;/p&gt;</description></item><item><title>Pop Goes the Weasel</title><link>https://6holeocarina.com/kid-songs/pop-goes-the-weasel/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/pop-goes-the-weasel/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Pop Goes the Weasel
 &lt;div id="about-pop-goes-the-weasel" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-pop-goes-the-weasel" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Pop Goes the Weasel began as an English dance and singing game in the 1850s, then quickly picked up lyrics that no one has ever fully explained. It mentions a cobbler&amp;rsquo;s bench, a monkey and the mysterious weasel, and people still argue over whether the words hide Cockney slang or are simply nonsense. Either way, the whole song is a setup for the one sudden pop everyone waits for.&lt;/p&gt;</description></item><item><title>Popeye the Sailor Man</title><link>https://6holeocarina.com/tv-theme-songs/popeye-the-sailor-man/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/tv-theme-songs/popeye-the-sailor-man/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Popeye the Sailor Man
 &lt;div id="about-popeye-the-sailor-man" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-popeye-the-sailor-man" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Sammy Lerner wrote &amp;ldquo;I&amp;rsquo;m Popeye the Sailor Man&amp;rdquo; in 1933, and the sailor has whistled some version of it ever since. It was made for the Fleischer Studios cartoon shorts, then followed Popeye through decades of theatrical reels and later television reruns. The melody is short, bouncy, and built to be recognized in a second or two, which is a good part of why it has stuck around.&lt;/p&gt;</description></item><item><title>Privacy</title><link>https://6holeocarina.com/privacy/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/privacy/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;p&gt;Basically:
I track which IP comes and what search term they come from. I track the path you take through my site, and when you leave or timeout. I destroy this information if I don’t have an immediate use for it, mostly for aggregate metrics so I know how to get more people interested in Ocarinas.
If you give me your email, I might respond – GASP!. I don’t sell or rent your information. I won’t add you to an autoresponder without your explicit permission.
I might change this policy at any time, and reserve the right to do so.
See… that was easy&lt;/p&gt;</description></item><item><title>Privacy Policy</title><link>https://6holeocarina.com/privacy-policy/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/privacy-policy/</guid><description>&lt;p&gt;6 Hole Ocarina Tabs is a static website. It has no user accounts, no login, no comment
system, and no server-side code. We do not track you or sell your information. The only
personal data we ever receive is what you choose to send us through the contact form.&lt;/p&gt;</description></item><item><title>Rain Rain Go Away</title><link>https://6holeocarina.com/kid-songs/rain-rain-go-away/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/rain-rain-go-away/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Rain Rain Go Away
 &lt;div id="about-rain-rain-go-away" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-rain-rain-go-away" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Rain Rain Go Away is about as simple as a nursery rhyme gets, just a child&amp;rsquo;s plea for the weather to clear so play can move back outside. It is an old English rhyme, and while people have attached various origin stories to it, none can really be pinned down, so it is safest to call it plainly traditional. Its short, chant-like shape is exactly what makes it stick in a young memory.&lt;/p&gt;</description></item><item><title>Requests</title><link>https://6holeocarina.com/uncategorized/requests/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/uncategorized/requests/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;

&lt;h3 class="relative group"&gt;New Tablature Schedule
 &lt;div id="new-tablature-schedule" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#new-tablature-schedule" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;p&gt;This site is about Ocarinas. I am posting new melodies in sheet music and tablature form every day. (Well, not every day. I currently have about 100 tabs I’ve created but haven’t had time to add them, formally).&lt;/p&gt;</description></item><item><title>Ring Around the Rosy</title><link>https://6holeocarina.com/folk-songs/ring-around-the-rosy/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/ring-around-the-rosy/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Ring Around the Rosy
 &lt;div id="about-ring-around-the-rosy" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-ring-around-the-rosy" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This English singing game has been sung in playgrounds for well over a century, and the action of a ring of children who all fall down is part of the song itself. The popular claim that it encodes a coded memory of the plague is folklore about folklore: historians have found no real evidence for it, and the rhyme is far younger than the Black Death.&lt;/p&gt;</description></item><item><title>Row Row Row Your Boat</title><link>https://6holeocarina.com/kid-songs/row-row-row-your-boat/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/row-row-row-your-boat/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Row Row Row Your Boat
 &lt;div id="about-row-row-row-your-boat" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-row-row-row-your-boat" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Row Row Row Your Boat is an American round that first appeared in print in the middle of the nineteenth century, around 1852, with no composer&amp;rsquo;s name attached. Sung as a canon, with voices entering one after another, it is often how children first discover that a single simple line can stack up into harmony. The gentle rowing image and the closing thought that life is but a dream have kept it popular well beyond the nursery.&lt;/p&gt;</description></item><item><title>Scarborough Fair</title><link>https://6holeocarina.com/folk-songs/scarborough-fair/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/scarborough-fair/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Scarborough Fair
 &lt;div id="about-scarborough-fair" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-scarborough-fair" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Scarborough Fair is an old English ballad with medieval roots, part of a family of songs about impossible tasks set between former lovers. It shares ancestry with &amp;ldquo;The Elfin Knight,&amp;rdquo; and the herb refrain of parsley, sage, rosemary and thyme has carried through many versions. Its fame today owes a great deal to Simon and Garfunkel&amp;rsquo;s 1966 recording, though the song is centuries older than that.&lt;/p&gt;</description></item><item><title>Smoke on the Water</title><link>https://6holeocarina.com/rock/smoke-on-the-water/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/rock/smoke-on-the-water/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Smoke on the Water
 &lt;div id="about-smoke-on-the-water" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-smoke-on-the-water" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;&amp;ldquo;Smoke on the Water&amp;rdquo; is the work of Deep Purple, recorded in 1972 for the album Machine Head. Its four-note riff is one of the most recognized figures in rock, and for a lot of guitarists it is the first thing they ever pick out. The lyrics recount something that actually happened to the band: a fire that burned down the casino in Montreux, Switzerland, during a Frank Zappa concert, which they watched from across Lake Geneva.&lt;/p&gt;</description></item><item><title>Snake Charmer</title><link>https://6holeocarina.com/kid-songs/snake-charmer/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/snake-charmer/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Snake Charmer
 &lt;div id="about-snake-charmer" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-snake-charmer" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;You have heard this tune your whole life, usually as musical shorthand for something exotic or mysterious, from a snake charmer&amp;rsquo;s basket to a desert scene in an old cartoon. It is properly titled The Streets of Cairo, and it spread through the United States after the 1893 World&amp;rsquo;s Columbian Exposition in Chicago, where a version of it accompanied a Middle Eastern sideshow. Similar melodies existed earlier, so its true authorship is tangled and much argued over.&lt;/p&gt;</description></item><item><title>Song of Time</title><link>https://6holeocarina.com/zelda-sheet-music/song-of-time/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/song-of-time/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;Where the Song of Time comes from
 &lt;div id="where-the-song-of-time-comes-from" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#where-the-song-of-time-comes-from" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Song of Time is one of the central ocarina tunes in Ocarina of Time, composed by Koji Kondo for the 1998 game. Link uses it to open the Door of Time, and it returns in Majora&amp;rsquo;s Mask as the melody that rewinds the three-day clock. Few game themes are this bound up with an ocarina.&lt;/p&gt;</description></item><item><title>Star Wars Theme</title><link>https://6holeocarina.com/movies/star-wars-theme/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/star-wars-theme/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Star Wars Theme
 &lt;div id="about-the-star-wars-theme" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-star-wars-theme" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The main title from Star Wars is John Williams&amp;rsquo;s fanfare for the 1977 film, the brass blast that arrives with the opening crawl. Williams wrote it in the grand style of old Hollywood adventure scores, and it did as much as anything on screen to sell the sense of a vast galaxy overhead. Few themes announce a film so instantly.&lt;/p&gt;</description></item><item><title>Taps</title><link>https://6holeocarina.com/civil-war/taps-for-the-6-hole-ocarina/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/civil-war/taps-for-the-6-hole-ocarina/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;The story behind Taps
 &lt;div id="the-story-behind-taps" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#the-story-behind-taps" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Taps is the bugle call the United States military plays to signal lights out and to honor the dead at funerals. General Daniel Butterfield reworked it in 1862, during the Civil War, from an older call, with help from his brigade bugler Oliver Norton. The familiar words that open with &amp;ldquo;Day is done&amp;rdquo; were added later and exist in several versions, including the Scout verses printed here.&lt;/p&gt;</description></item><item><title>Terms of Service</title><link>https://6holeocarina.com/terms-of-service/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/terms-of-service/</guid><description>&lt;p&gt;By using 6 Hole Ocarina Tabs you agree to these terms.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The tablature and tools are provided free, &amp;ldquo;as is,&amp;rdquo; with no warranty of accuracy or
fitness for any purpose.&lt;/li&gt;
&lt;li&gt;Content is for personal, non-commercial use. Song titles and lyrics remain the property
of their respective owners.&lt;/li&gt;
&lt;li&gt;We may update or remove content at any time.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This is a starter document; have it reviewed before launch.&lt;/p&gt;</description></item><item><title>Terra's Theme Final Fantasy VI</title><link>https://6holeocarina.com/video-game-songs/terras-theme-final-fantasy-vi/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/video-game-songs/terras-theme-final-fantasy-vi/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About Terra&amp;rsquo;s Theme Final Fantasy VI
 &lt;div id="about-terras-theme-final-fantasy-vi" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-terras-theme-final-fantasy-vi" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Terra&amp;rsquo;s Theme is the music that carries you across the world map in Final Fantasy VI, the 1994 Super Nintendo game by Squaresoft. Nobuo Uematsu wrote it for Terra Branford, whose uncertain, searching character it mirrors, and the melody became one of his most loved. Its lilting, waltz-like sway has since turned up in concert arrangements played by full orchestras.&lt;/p&gt;</description></item><item><title>The Good, The Bad, and the Ugly</title><link>https://6holeocarina.com/movies/the-good-the-bad-and-the-ugly/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/the-good-the-bad-and-the-ugly/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About The Good, The Bad, and the Ugly
 &lt;div id="about-the-good-the-bad-and-the-ugly" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-good-the-bad-and-the-ugly" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;Ennio Morricone wrote this theme for Sergio Leone&amp;rsquo;s 1966 Western &amp;ldquo;The Good, the Bad and the Ugly,&amp;rdquo; the last film in the Dollars trilogy. The main title is known for its two-note, coyote-like call, answered by whistles, voices, and a twanging guitar. It is really film music rather than a television theme, though it has scored countless showdowns and parodies in the years since.&lt;/p&gt;</description></item><item><title>The Lion Sleeps Tonight</title><link>https://6holeocarina.com/disney-songs/the-lion-sleeps-tonight/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/disney-songs/the-lion-sleeps-tonight/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;The story behind The Lion Sleeps Tonight
 &lt;div id="the-story-behind-the-lion-sleeps-tonight" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#the-story-behind-the-lion-sleeps-tonight" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Lion Sleeps Tonight grew out of Mbube, a song recorded in 1939 by the South African musician Solomon Linda. The familiar English version, with its &amp;ldquo;in the jungle&amp;rdquo; verse, was written in 1961 by George David Weiss, Hugo Peretti, and Luigi Creatore and became a hit for the Tokens. Disney later brought it into The Lion King, which is how a lot of players first meet it.&lt;/p&gt;</description></item><item><title>The Misty Mountains Cold (LOTR)</title><link>https://6holeocarina.com/movies/the-misty-mountains-cold/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/the-misty-mountains-cold/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About The Misty Mountains Cold
 &lt;div id="about-the-misty-mountains-cold" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-misty-mountains-cold" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;This song comes from The Hobbit: An Unexpected Journey in 2012, where Thorin&amp;rsquo;s company of dwarves sings it quietly at Bilbo&amp;rsquo;s table before the adventure begins. Howard Shore set the music; the words are lifted almost directly from the poem in Tolkien&amp;rsquo;s original novel, which gives the scene its weight of old grief and buried gold. It is meant to sound less like a performance than a shared memory.&lt;/p&gt;</description></item><item><title>The Shire Song (LOTR)</title><link>https://6holeocarina.com/movies/the-shire-song-lotr/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/movies/the-shire-song-lotr/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
&lt;!-- intro:start --&gt;

&lt;h2 class="relative group"&gt;About the Shire theme
 &lt;div id="about-the-shire-theme" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#about-the-shire-theme" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h2&gt;
&lt;p&gt;The Shire&amp;rsquo;s music was written by Howard Shore for The Lord of the Rings: The Fellowship of the Ring in 2001, and it plays under the green hills and round doors of Hobbiton. Its concert-hall title is Concerning Hobbits. The tune is deliberately homely and pastoral, a small, contented melody that stands for a peaceful place worth protecting before the long journey east.&lt;/p&gt;</description></item><item><title>The Thirteenth Article of Faith</title><link>https://6holeocarina.com/christian-songs/the-thirteenth-article-of-faith/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/the-thirteenth-article-of-faith/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About The Thirteenth Article of Faith
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&lt;p&gt;The words come from the thirteenth of the Latter-day Saint Articles of Faith, a short statement written by Joseph Smith in 1842 that lists qualities like honesty, kindness, and seeking after things that are good. Set to music, it is taught to children as a way to memorize the text.&lt;/p&gt;</description></item><item><title>This Little Light of Mine</title><link>https://6holeocarina.com/christian-songs/this-little-light-of-mine/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/this-little-light-of-mine/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About This Little Light of Mine
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&lt;p&gt;This gospel children&amp;rsquo;s song dates from the early twentieth century. Its authorship is not firmly settled, and it is often treated as a traditional piece. It later became one of the anthems of the American civil rights movement, sung at marches and meetings, and that double life of Sunday school and protest line is part of its staying power.&lt;/p&gt;</description></item><item><title>Tom Dooley</title><link>https://6holeocarina.com/folk-songs/tom-dooley/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/folk-songs/tom-dooley/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About Tom Dooley
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&lt;p&gt;Tom Dooley is an Appalachian murder ballad drawn from a real case: Tom Dula, a North Carolina man hanged in 1868 for the killing of Laura Foster. Mountain singers kept his story alive for decades, and in 1958 the Kingston Trio&amp;rsquo;s recording turned the old ballad into a national hit that helped set off the folk revival.&lt;/p&gt;</description></item><item><title>Twinkle Twinkle Little Star</title><link>https://6holeocarina.com/kid-songs/twinkle-twinkle-little-star/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/twinkle-twinkle-little-star/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About Twinkle Twinkle Little Star
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&lt;p&gt;The words to Twinkle Twinkle Little Star come from a poem called The Star, written by the English author Jane Taylor and published in 1806. The tune is older still and French in origin, and Mozart had already written a set of keyboard variations on it years before Taylor&amp;rsquo;s verse was ever attached. That shared source is why the same melody also carries the alphabet song and Baa Baa Black Sheep.&lt;/p&gt;</description></item><item><title>We Three Kings of Orient Are</title><link>https://6holeocarina.com/christmas/we-three-kings-of-orient-are/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christmas/we-three-kings-of-orient-are/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About We Three Kings of Orient Are
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&lt;p&gt;Unlike many carols, this one has a clear author. John Henry Hopkins Jr., an American clergyman, wrote both words and music around 1857 for a family Christmas pageant. It follows the Magi and their gifts, and it is one of the few widely sung carols centered on Epiphany rather than the manger.&lt;/p&gt;</description></item><item><title>When Johnny Comes Marching Home</title><link>https://6holeocarina.com/civil-war/when-johnny-comes-marching-home/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/civil-war/when-johnny-comes-marching-home/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About When Johnny Comes Marching Home
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&lt;p&gt;This is one of the best known songs of the American Civil War. The bandmaster Patrick Gilmore published it in 1863 under the pen name Louis Lambert, and people on both sides took it up as a hopeful picture of soldiers returning. The melody is usually played in a minor key, and it has long been tied to the older Irish tune &amp;ldquo;Johnny I Hardly Knew Ye,&amp;rdquo; though which one came first is still argued.&lt;/p&gt;</description></item><item><title>Will the Circle Be Unbroken</title><link>https://6holeocarina.com/christian-songs/will-the-circle-be-unbroken/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/christian-songs/will-the-circle-be-unbroken/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;The story behind Will the Circle Be Unbroken
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&lt;p&gt;The original hymn dates to 1907, with words by Ada Habershon and music by Charles Gabriel, on the hope of a family reunited in heaven. In 1935 the Carter Family reworked it into &amp;ldquo;Can the Circle Be Unbroken,&amp;rdquo; and that country and gospel version is the one most people recognize today.&lt;/p&gt;</description></item><item><title>Yo Ho A Pirate's Life For Me</title><link>https://6holeocarina.com/disney-songs/yo-ho-a-pirates-life-for-me/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/disney-songs/yo-ho-a-pirates-life-for-me/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About Yo Ho A Pirate&amp;rsquo;s Life For Me
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&lt;p&gt;Yo Ho (A Pirate&amp;rsquo;s Life for Me) was written for Disneyland&amp;rsquo;s Pirates of the Caribbean ride, which opened in 1967. George Bruns composed the music and Xavier Atencio wrote the lyrics, and the tune played through the attraction for decades before the film series carried it to a wider audience. This tab follows the ride version.&lt;/p&gt;</description></item><item><title>You are my Sunshine</title><link>https://6holeocarina.com/kid-songs/you-are-my-sunshine/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/kid-songs/you-are-my-sunshine/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About You are my Sunshine
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&lt;p&gt;You Are My Sunshine was published in 1939 and became a hit for Jimmie Davis, a country singer who later served two terms as governor of Louisiana. His is the name most tied to it, though who actually wrote the song has been argued about for decades. It is now one of the official state songs of Louisiana.&lt;/p&gt;</description></item><item><title>Zelda's Lullaby</title><link>https://6holeocarina.com/zelda-sheet-music/zeldas-lullaby/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://6holeocarina.com/zelda-sheet-music/zeldas-lullaby/</guid><description>&lt;!-- Generated by scripts/import; regenerated wholesale on re-run. Edit the source crawl, not this file. --&gt;
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&lt;h2 class="relative group"&gt;About Zelda&amp;rsquo;s Lullaby
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&lt;p&gt;Zelda&amp;rsquo;s Lullaby is the princess&amp;rsquo;s own theme, first heard in A Link to the Past and later one of the ocarina songs Link learns from Impa in Ocarina of Time. Koji Kondo wrote it as a gentle, rocking melody, and across the games it opens royal doors and settles restless spirits.&lt;/p&gt;</description></item></channel></rss>